Room for 10,000: Inside China’s largest detention center
DABANCHENG, China (AP) — The Uyghur inmates sat in uniform rows with their legs crossed in lotus position and their backs ramrod straight, numbered and tagged, gazing at a television playing grainy black-and-white images of Chinese Communist Party history.
This is one of an estimated 240 cells in just one section of Urumqi No. 3 Detention Center in Dabancheng, seen by Associated Press journalists granted extraordinary access during a state-led tour to China’s far west Xinjiang region. The detention center is the largest in the country and possibly the world, with a complex that sprawls over 220 acres — making it twice as large as Vatican City. A sign at the front identified it as a “kanshousuo,” a pre-trial detention facility.
Chinese officials declined to say how many inmates were there, saying the number varied. But the AP estimated the center could hold roughly 10,000 people and many more if crowded, based on satellite imagery and the cells and benches seen during the tour. While the BBC and Reuters have in the past reported from the outside, the AP was the first Western media organization allowed in.
This site suggests that China still holds and plans to hold vast numbers of Uyghurs and other mostly Muslim minorities in detention. Satellite imagery shows that new buildings stretching almost a mile long were added to the Dabancheng detention facility in 2019.
Kodak Deletes Post by Photographer Who Called Xinjiang an ‘Orwellian Dystopia’
The American company Eastman Kodak has deleted an Instagram post featuring images of Xinjiang, a western Chinese region where the government is accused of grave human rights violations, after an online backlash from Beijing’s supporters.
The post was promoting the work of the French photographer Patrick Wack, who made several trips to Xinjiang in recent years and has collected his images into a book. The project received a lift last week when Kodak shared 10 of his images — all shot on Kodak film — with its 839,000 Instagram followers.
In the Kodak post and on his own Instagram account, Mr. Wack described his images as a visual narrative of Xinjiang’s “abrupt descent into an Orwellian dystopia” over the past five years. That did not sit well with Chinese social media users, who often object vociferously to Western criticism of Chinese government policies. In addition to deleting the post, Kodak apologized for “any misunderstanding or offense” that it might have caused.
Kodak is not the first international company to apologize for perceived transgressions over Xinjiang, where Western politicians and rights groups say that Uyghurs and other Muslim minority groups have been subjected to forced labor and genocide by the Chinese government.